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Curator: So, this folio from Yahya Beg’s “The Shah and the Beggar” is like a visual poem. The painting and the text are intertwined, each illuminating the other. Editor: It feels like we’re peeking into a secret world. The figures are so stylized, and the colors are muted. What do you make of their interaction? Curator: The narrative unfolds through gesture and gaze. I wonder if the seated figure is the key to understanding the dynamic between the other two figures. Is it a story about power, or perhaps, something more tender? Editor: Hmmm, I hadn’t considered that. It’s like a play in a single frame, really. Curator: Exactly!
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