drawing, ink, pen
drawing
narrative-art
etching
figuration
11_renaissance
ink
pen
history-painting
italian-renaissance
Dimensions: 9 1/2 x 13 7/8 in. (24.13 x 35.24 cm) (sheet)19 3/4 × 23 3/4 in. (50.17 × 60.33 cm) (outer frame)
Copyright: Public Domain
Luca Cambiaso made this drawing of fighting horsemen with pen and brown ink, and brown wash on cream laid paper. In the 16th century when Cambiaso was working in Italy, wealthy families hired artists to create large-scale battle scenes to decorate their palaces. Such artworks bolstered the patron’s reputation. But this is just a drawing, not a painting or fresco. What would Cambiaso have used it for? Drawings like this one were often made as preparatory studies for paintings. Many artists also used drawings like this to try out new ideas that might or might not be incorporated into a finished work of art. The latter seems more likely to be the case here. Although the drawing shows a familiar subject, Cambiaso’s expressive lines and dramatic scene feel like a kind of experimentation, more about the process of making art than about celebrating the rich and powerful. To understand this drawing better, scholars research the artist’s other works, read critical essays and biographies, and investigate the social and artistic currents of the time.
Comments
The virtuoso draftsman Luca Cambiaso was the leading artist of 16th-century Genoa. He was so prolific that his wife and his servant reportedly stoked the fire with his drawings. Even so, thousands of studies by his hand survive, more than by any other Renaissance artist. This sketch exhibits Cambiaso’s trademark cubic simplification of forms—in the heads, arms, and legs of the riders—and distinctive swift handling and lively pen lines. His inventive figural vocabulary and imaginative compositions inspired hundreds of imitators, making it difficult to distinguish his drawings from those of his followers. The watermark on this sheet locates the paper in or near Cambiaso’s studio.
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