Two O’Clock Ordinary 

Curator: Thomas Rowlandson’s drawing, "Two O’Clock Ordinary", captures a boisterous midday meal. It's held at the Tate, rendered in pen and watercolor wash on paper. Editor: Visually, it's quite a lively scene. The composition is dense, almost claustrophobic. I see a lot of activity, with a real sense of overflowing abundance, but also tension. Curator: Rowlandson was a master of social satire. The materials are modest, but allow for incredibly detailed rendering of social dynamics, commenting on the consumption and rituals of the time. Think about the cost of food and drink. Editor: It speaks volumes about gender and class. All of the diners are men, which is emphasized by their gestures and expressions. The social hierarchy is further defined by the labor of those serving the meal. Curator: Yes, the drawing captures a specific moment within the daily labor practices and economy of the period. Editor: A complex, uncomfortable glimpse into the past. It makes you think about who is included and excluded from the table.