Voetpad over de Québecbrug by J. Dearden Holmes

Voetpad over de Québecbrug 1924 - 1926

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print, photography, gelatin-silver-print

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print

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landscape

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photography

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geometric

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gelatin-silver-print

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cityscape

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modernism

Dimensions: height 82 mm, width 114 mm

Copyright: Rijks Museum: Open Domain

Curator: Right, let's turn our attention to this fascinating gelatin silver print from between 1924 and 1926. It's titled "Voetpad over de Québecbrug," or "Footpath over the Quebec Bridge" by J. Dearden Holmes. Editor: It hits me with such a mechanical starkness. That unrelenting symmetry, almost feels…alien. Curator: Tell me more about that initial response, because I'm finding a geometric and modernist intent behind it all. The bridge’s architecture is powerfully highlighted through photography. What are the shapes suggesting to you? Editor: Well, bridges often stand for connections, of course. Crossing divides. But here, those massive geometric girders feel more like imposing barriers, these steel triangles repeating like motifs. They create such severe patterns that could evoke power or, more darkly, the restrictions it imposes. The photograph feels like a cold reflection upon an achievement of engineering. Curator: Interesting. So you see that imposed rigidity impacting one's journey? What about the people within it? They look incredibly small on that narrow footbridge. Editor: Ah, yes! Those tiny figures. I see them now. The bridge then becomes a pathway within something greater. Almost hinting at individuals venturing into an ordered world dominated by manufactured forms. There is a potential reading in their insignificance of modern progress towering over individual experience. Curator: Precisely! And consider the context. It's Quebec, a place historically bridging cultures, languages… the bridge image mirroring that ongoing negotiation. There's this pull between the individual and collective experience framed against cultural continuity, a very photographic modern reading of symbolism at work in real life. Editor: I'm glad to shift from simply seeing the machine's imprint to also noting the echoes and cultural memories captured in this image. Curator: Absolutely. The photo’s ability to be both of its time and suggestive of so much more makes it worthwhile. Editor: It will keep the questions coming. Thanks!

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