Work 1957

Curator: Immediately, I’m struck by this intricate web of blue and black. The energy radiating from this canvas is almost palpable. Editor: I agree. Let's consider Akira Kanayama’s "Work" from 1957. He uses acrylic paint to build layer upon layer of swirling lines. The process seems almost performative. Curator: The all-over composition resists a traditional focal point, guiding the eye in an almost frenzied dance across the surface. The shades of blue he used are quite striking too. Editor: Absolutely. The making of this piece must have been so physical! Kanayama’s peers often situated themselves as workers within the burgeoning post-war, technological society. How does artistic creation define or reflect industrial processes? Curator: The stark white background emphasizes the almost frenetic accumulation of lines. Are these controlled gestures or a release of pure emotion, considering the socio-political mood after WWII? Editor: I would say the relationship of line, color and ground generate a sense of chaotic beauty. How do the minute details and intricacies contrast to give a feeling of vastness or even limitlessness? Curator: This approach to art production moves past individual authorship into ideas concerning collective artistic action. Editor: This work is compelling and I agree about the post-war commentary. There’s certainly a dialogue happening between art and industry here. Curator: Yes, definitely a piece worth reflecting on considering all its different influences and techniques!