Journal des Luxus und der Moden 1788, Band III, T.22 1788

Editor: Here we have an engraving from Friedrich Justin Bertuch’s *Journal des Luxus und der Moden*, dated 1788. Two figures are presented, each showcasing elaborate fashion. I'm struck by the density of line work; it's incredibly detailed. What elements stand out to you from a formalist perspective? Curator: The relationship between line and space is particularly compelling. Observe how Bertuch employs hatching and cross-hatching to generate form and volume. The figures are delineated through an accumulation of fine lines, creating a textural density, especially in the rendering of fabrics and elaborate hairstyles. Notice the economy of line in certain areas juxtaposed with areas of dense detail. How does this contrast contribute to the overall composition? Editor: It seems to guide my eye; the intricate areas draw my attention, while the simpler lines provide a sense of visual rest. Does the linear quality evoke other artistic styles? Curator: Indeed. The engraving technique and the emphasis on line certainly echoes earlier graphic traditions. Note also how the figures are presented in self-contained rectangles. Consider how that shapes our perception. Do you notice the effects of creating multiple frames within a page? Editor: By isolating the figures within frames, Bertuch directs our focus purely on their aesthetic presentation, independent of any environmental context. It makes the fashions themselves the subject, rather than individuals wearing them. The frames underscore that these are specimens of style. Curator: Precisely. Bertuch's choice of medium and his sophisticated arrangement underscores an engagement with both artistic convention and nascent fashion culture. These two approaches working together offers us the rich picture we see now. Editor: Thinking about this work, I'm appreciating the layers of intent expressed through the artistry itself.