Untitled 

Lothar Charoux created this untitled work using an unknown medium. At first glance, the composition appears as a grid, a series of horizontal and vertical lines creating a structured space. However, the presence of descending rectangles disrupts this rigid order, suggesting a movement or progression. The rectangles, diminishing in size, occupy a diagonal trajectory across the grid, introducing dynamism to the otherwise static arrangement. The strategic placement of these shapes not only creates a visual pathway but also destabilizes the grid's inherent uniformity. This interplay evokes questions about structure and deviation and challenges fixed notions of spatial organization. The grid, a symbol of order and rationality, is undermined by the asymmetrical placement of forms, which brings an element of chance or organic growth into the rational system. Charoux engages with broader philosophical concerns that question the limits of reason. He probes the tension between imposed order and inherent chaos.