Rochester, Kent by Paul Sandby

Rochester, Kent c. 1785 - 1795

0:00
0:00

Dimensions: support: 246 x 381 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Paul Sandby's watercolor, "Rochester, Kent," captures a scene with figures by the water and a looming fortress in the distance. Editor: It's quite serene. The soft washes give it an ethereal quality, but the fortress does hint at something more formidable. Curator: The castle acts as a powerful symbol of authority, doesn't it? Note how it dominates the landscape, overseeing everyday life below. There’s a distinct power dynamic at play here. Editor: Absolutely, and I wonder about the pigments available to Sandby. Those muted greens and browns speak to a specific palette dictated by the materials accessible at the time. Curator: It’s fascinating how Sandby uses the imagery of the castle, a seat of power, to evoke feelings of both protection and perhaps, oppression. Editor: Indeed. And thinking about the paper itself and its production, these landscapes became desirable commodities, mirroring the growing interest in picturesque views and national identity. Curator: The layers of history are embedded in the art. Editor: It's a subtle piece. The material reality behind its creation only deepens my appreciation.

Show more

Comments

tate's Profile Picture
tate about 21 hours ago

http://www.tate.org.uk/art/artworks/sandby-rochester-kent-t08474

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate about 21 hours ago

The ability to draw detailed representations of specific places was an important skill in the military, used in the surveying of terrain and fortifications. Sandby was trained as a military draughtsman, but became a key figure in raising the artistic status of watercolour. This is one of several views of Rochester made when Sandby was living in Kent and working as Chief Drawing Master at the Royal Military Academy in Woolwich. Its relatively free handling and richly evocative colour is typical of the watercolours he created towards the end of his career. Gallery label, September 2004