Italianate Landscape with a River c. 17th century

Editor: Jacob van der Ulft's "Italianate Landscape with a River," currently residing at the Harvard Art Museums, is a serene brown ink drawing. The sepia tones create a nostalgic, almost dreamlike atmosphere. What can you tell me about this type of scene in the art world? Curator: These idealized landscapes became incredibly popular in the 17th century. They served as a form of visual tourism, allowing patrons to experience the grandeur of Italy without actually traveling. Do you notice how van der Ulft presents a harmonious, almost utopian vision, rather than a realistic portrayal? Editor: Yes, there's a romanticized feeling. So, these weren't necessarily accurate depictions, but more about conveying an idea? Curator: Precisely. It’s about constructing an image of cultural sophistication and power, reflecting the patron’s aspirations and taste. These landscapes reinforced a certain social hierarchy through the ownership and display of such idealized scenes. Editor: That's fascinating, I never considered the political implications of landscapes before.