Menace 2 Sobriety 2009

Curator: "Menace 2 Sobriety" by Dave Macdowell, a mixed media piece from 2009…quite the title. Editor: Yes, it's quite something! My first impression is definitely…chaotic? It's such a strange juxtaposition of high and low imagery. What materials or processes do you find most striking in this work? Curator: The collision of the classical portraiture – the glasses, the tie, almost a parody of sophistication – with the blatant consumption, the "Mockingbird" tattoo and Colt .45 pour immediately draws my eye. We have this hyperreal rendering clashing with a sort of flattened pop aesthetic in the angels overhead and the rendering of the "Hollywood" sign. Editor: It’s interesting you focus on the beer so much; is it purely because of its visual dominance? Curator: The centrality of the Colt .45 speaks volumes about commodification and cultural context. Beer, particularly a cheap malt liquor like Colt .45, functions here as a symbol of accessibility, but its also pointing towards socioeconomic status, doesn't it? Consider the labor that goes into producing and distributing a product like that. Who is drinking it and what messages about value does it convey? Editor: That's a powerful point. It reframes my understanding of the portrait; instead of just seeing chaos, it feels like there's a pointed critique. Do you think the 'Menace' of the title relates to that socio-economic critique, then? Curator: Exactly! This isn't just random imagery, it's a considered composition utilizing readily available iconography to speak on the means of social control and constructs of class. Its 'menace' lies in how easily and enticingly sobriety - which could be interpreted more broadly as restraint, upward mobility or aspirations - is subverted by powerful corporate messages and material temptations. Editor: That's insightful, thanks for clarifying how the production and social environment affects the work's interpretation. Curator: Of course. It’s vital we consider art beyond aesthetic appeal, and unpack the role of the labor of creation and the societal messages embedded in the material choices that artists are making.