Portret van Ludwig Gotthard Kosegarten by Johann Heinrich Lips

Portret van Ludwig Gotthard Kosegarten 1768 - 1817

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print, engraving

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portrait

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neoclacissism

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print

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old engraving style

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portrait drawing

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history-painting

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engraving

Dimensions height 173 mm, width 110 mm

Curator: Looking at this image, I'm immediately struck by its contemplative aura. There's a sense of quiet dignity in this fellow's gaze. Editor: That's Ludwig Gotthard Kosegarten. What we're seeing is Johann Heinrich Lips's rendering from sometime between 1768 and 1817. It’s currently held here at the Rijksmuseum. A fairly straightforward portrait, really, neatly presented in an oval frame. Curator: Straightforward maybe, but the texture! Notice how Lips captures light playing on Kosegarten's coat? The frilly lace at his neck, almost foamy...I love the feeling of delicacy. It's almost ethereal. It belies the man's sturdy build. Editor: It’s interesting that you picked up on that. I would venture to guess it’s reflective of the Neoclassical movement taking root then, this attempt to capture a renewed interest in, and almost idealized form, in the subject. He had a significant influence as a pastor and writer at the time. His philosophies and views resonated through political and literary circles, making him a prominent figure for artistic capture. Curator: Political or literary circles… I'm seeing a poet. He possesses this introspective depth. You know, the kind of soul that wanders lonely as a cloud, probably contemplating eternity in a blade of grass, or, perhaps preaching. It gives it all a rather sublime vibe. Editor: Well, certainly the artist had the task of rendering him accessible, a familiar and recognized face to the public, especially because this piece utilizes the medium of engraving. Engravings allowed for mass reproduction. A single image could circulate widely, reinforcing and amplifying Kosegarten's influence in visual terms. Consider this artwork as a means of propagating Kosegarten's image and by extension, his influence within society. Curator: So, it wasn’t only a pretty picture…but an instrument. All the world's a stage, even the portraits. Editor: Precisely! An intentional stage. So the next time we consider a portrait, perhaps, we might ask "Whose story is really being told here and why?" Curator: Ah yes, questions to make you go hmmm, always a lovely lingering thought, don’t you think?

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