Women Near Abooteeg Watching a Oahabeeyeh c. 19th century

William B. Closson created this print, 'Women Near Abooteeg Watching a Oahabeeyeh', using wood engraving. The composition is immediately striking for its arrangement of figures within a somewhat compressed space. Closson uses the density of lines to define forms and create a sense of depth, or perhaps more accurately, to play with the illusion of depth. Notice how the figures are grouped, some closely packed together while others are more isolated, which creates a rhythm across the image. This use of form may invite us to consider how Closson approaches representation. The figures are rendered with a certain abstraction, their features not sharply defined, which pushes against traditional, realistic depictions. Through his engraving technique, Closson seems interested in exploring the structural elements of the scene, rather than merely capturing a likeness. Ultimately, the artwork’s power lies in its ability to use formal qualities to engage with the viewer's perception and understanding, prompting us to look beyond the surface narrative.