Rivals, plate seven from A Life by Max Klinger

Rivals, plate seven from A Life 1884

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drawing, print, etching, paper

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drawing

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narrative-art

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print

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etching

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figuration

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paper

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symbolism

Dimensions 272 × 184 mm (image); 328 × 205 mm (plate, approx.); 325 × 201 mm (primary support); 788 × 575 mm (secondary support, approx.)

Editor: This is "Rivals, plate seven from A Life," an 1884 etching by Max Klinger, printed on paper. It's a small-scale scene depicting a tense encounter, almost theatrical, between three figures in a dark space. How do you interpret this work in terms of its broader cultural meaning? Curator: Klinger, working within symbolism, frequently tackled societal anxieties. "Rivals" resonates deeply if we examine the late 19th-century social codes surrounding class, gender, and power. Who are these figures? Is this about lust, jealousy, class envy? How does the artist position the woman? The way the female figure is displayed, almost as a possession, requires we investigate the male gaze within this narrative. Editor: It almost feels like the men are battling for her attention, but she doesn't seem to notice. Is that reading too much into it? Curator: Not at all. Her seeming indifference can be a commentary on the limited agency afforded to women at the time. Klinger is staging a complex power dynamic. Considering that Klinger made several series, how might this plate function as part of a larger narrative? Editor: It gives a wider scope of his style, understanding his interest in symbolism. Thanks for clarifying! Curator: Indeed, the series, entitled "A Life," acts as social commentary to probe Victorian society from an intersectional point of view.

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