Graf van Lamprecht von Brunn in de dom van Bamberg by Anonymous

Graf van Lamprecht von Brunn in de dom van Bamberg c. 1900 - 1920

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drawing, print, graphite, engraving

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portrait

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drawing

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medieval

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print

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graphite

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history-painting

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engraving

Dimensions height 224 mm, width 135 mm

Editor: This drawing, created sometime between 1900 and 1920, is called "Graf van Lamprecht von Brunn in de dom van Bamberg." It looks like a print, maybe an engraving or a graphite drawing. It has such a stark, formal feel to it, almost like staring into the past. What catches your eye about it? Curator: That "staring into the past" feeling is spot-on! For me, it's the fascinating tension between its apparent age and its actual creation date. We’re looking at a 20th-century artist depicting a medieval tomb. Imagine the artist poring over dusty records or visiting the cathedral itself, trying to channel the spirit of a bygone era. Isn't that kind of haunting? Editor: Haunting, definitely! It’s like a copy of a copy, so distanced from the original. All the weight is in that figure in the middle – the bishop – and that big shield feels like a stand-in. I wonder why the artist focused on that tomb. Curator: Good question! Maybe they were drawn to Lamprecht von Brunn's story. He was a pretty influential figure back in the day, and Bamberg itself holds such a weighty place in German history. Or perhaps, on a personal level, the artist just felt a kinship with that distant past. What is history anyway but someone’s version of it? What’s drawing YOU in? Editor: I keep coming back to that shield. It's so plain, but so central to the composition. Is it supposed to represent some lineage, some importance? Curator: Absolutely! Heraldry was everything back then; it’s about power, heritage, identity solidified into symbol. The artist isolates it, giving it almost equal visual weight as Lamprecht. I like your reading of its being a “stand-in”, what is a coat-of-arms but that? It's making me consider just how history boils individuals down into easily digested symbols. Editor: That’s given me so much to think about, how layers of representation can add depth and, somehow, mystery. Curator: Me too! It’s those echoes across time – the tomb, the artist, us – that really resonate.

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