drawing, print, ink, pen, engraving
drawing
comic strip sketch
animal
sketch book
personal journal design
personal sketchbook
ink
sketchwork
pen-ink sketch
thin linework
orientalism
sketchbook drawing
pen
history-painting
storyboard and sketchbook work
sketchbook art
engraving
realism
Dimensions height 215 mm, width 275 mm
This political cartoon about Aceh was created in 1882 by Johan Michaël Schmidt Crans. The dominant image here is a tiger, crouched low to the ground, its teeth bared in a snarl. Historically, the tiger has been a symbol of power, ferocity, and untamed nature, embodying both fear and respect. We can see how it resurfaces, for example, in Delacroix's romantic paintings, as a symbol of raw power, or in ancient mythologies. Here, the tiger clearly represents the local resistance in Aceh. The tiger’s aggressive posture, frozen in a moment of imminent attack, engages viewers on a deep, subconscious level, evoking the intense emotional states tied to conflict and resistance. Note the Dutch flag planted in the background, suggesting colonial presence. The appearance of the tiger reminds us of an archetypal struggle for freedom, a primal image ingrained in our collective memory, continuously reappearing and readapted across cultures.
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