Newfoundland Dog (from Sketchbook) 1810 - 1820

Editor: So, this is Thomas Sully’s pencil drawing, "Newfoundland Dog," created sometime between 1810 and 1820. It’s got this delicate, almost ephemeral feel. I’m immediately drawn to the texture he creates with just pencil on paper. What strikes you about it? Curator: Ah, Sully's dog! It whispers to me of a simpler time. The dog, the *idea* of the dog, is caught so perfectly, isn't it? Look at how he's used those gentle lines. You almost feel the dog's fur – and something of its temperament. Have you ever known a dog like this, perhaps? Gentle but watchful? Editor: Absolutely! There’s a soulful quality to the eyes that gets me. I also love how he captured its stature. It’s powerful but also somehow vulnerable in its stillness. What does it suggest to you about the role of animals in art, particularly in portraiture? Curator: Wonderful question! Think about it, animals often serve as allegorical stand-ins. In this case, the Newfoundland was prized, right? Symbolizing loyalty, strength, a noble companion. Sully’s painting operates on that plane but manages to imbue something more…intimate. A sense of character beyond symbolism. It almost feels as if the dog chose Sully to paint it. Have you ever had that feeling of connection with an animal, so strong it felt almost chosen? Editor: I do, yes. The piece really highlights the connection between humans and animals. I think that is what I will carry forward. Thank you! Curator: And I with you –the reminder that looking closely can unlock not just technique, but empathy too.