Köpfchen zur Einfassung der Veitschen Freskobilder im Städelschen Kunstinstitut 

Eugen Eduard Schäffer created this study for head portraits in the Städel Museum, using graphite on paper. This choice of material speaks to the artist's process; graphite is a medium that privileges preliminary work, a method of planning and record-keeping. The visible lines and smudges give us a glimpse into the artist's decision-making. The drawings show a process of careful observation and translation. Schäffer's pencil captures the texture and weight of the original frescoes, as well as the play of light and shadow on the subjects' faces. The quick, economical lines suggest the artist was interested in form and structure, rather than intricate detail. This work also highlights the broader context of art production and labor. Schäffer's study was likely a precursor to a larger commission, requiring many hours of skilled work. By emphasizing the artistry of the craft involved, the artist challenges traditional notions of "high art" and elevates the value of skilled labor.