Elijah and the Angel by Sir Godfrey Kneller

Elijah and the Angel 1672

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Dimensions: support: 1765 x 1486 mm frame: 2174 x 1900 x 150 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Sir Godfrey Kneller’s monumental painting, Elijah and the Angel, presents a powerful scene of divine intervention. Editor: It strikes me as quite theatrical, almost operatic, with its dramatic lighting and the figures’ posed gestures. Curator: Absolutely, and situating it within the socio-political context of its time, the work served not only as a devotional piece but also as a display of Kneller's skill and the patron's wealth and status. It reinforces established power dynamics. Editor: How interesting. I focused on the tender exchange between the angel and Elijah, perhaps reflecting a desire for comfort during times of personal struggle. The scale of the figures really emphasizes vulnerability. Curator: I think that is a valid interpretation as well. It illustrates the beauty of art history, offering diverse entry points and relevance for varied audiences. Editor: Indeed. Art constantly changes our understanding of ourselves and the world.

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tate about 1 month ago

http://www.tate.org.uk/art/artworks/kneller-elijah-and-the-angel-n06222

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tate's Profile Picture
tate about 1 month ago

Born in Germany, Kneller trained in Amsterdam and settled permanently in England in 1676 where he became the leading portrait painter of his day. This rare example of a narrative painting by Kneller is very Dutch in manner and subject. He valued it enough to bring it to Britain and display it at his house at Whitton, Middlesex. It depicts the Old Testament prophet Elijah who fled into the wilderness to escape the vengeance of Queen Jezebel. Hungry, he fell asleep and was woken by an angel who showed him bread and water sent by God to save him from starvation. Gallery label, February 2016