Cornice of the Tower, Turin Cathedral 19th-20th century

Editor: This is John Singer Sargent's "Cornice of the Tower, Turin Cathedral." It's a watercolor and graphite work, and I'm struck by the stark contrast of light and shadow. How does the medium contribute to its impact? Curator: It's important to consider that Sargent's choice of watercolor and graphite wasn't arbitrary. It speaks to the accessibility and portability of these materials. This allowed Sargent, and other artists of his time, to rapidly document architectural details, blurring the lines between fine art and practical documentation of craft and building techniques. It's a record of labor, isn't it? Editor: So, it's less about the cathedral's grand design and more about the process of capturing it? Curator: Precisely. Sargent isolates this architectural element, focusing on the material qualities and the act of rendering, rather than the spiritual significance often associated with cathedrals. It highlights the means of production, the very material and social context of its creation. Editor: I never thought of it that way. It makes me see the sketch as a document of artistic labor itself.