Colt Paterson Percussion Revolver, No. 3, Belt Model, Serial no. 156, with Case and Accessories 1813 - 1863
metal, photography, wood
16_19th-century
metal
sculpture
photography
united-states
wood
armor
Dimensions Revolver (a); L. 9 5/8 in. (24.4 cm); L. of barrel 5 1/2 in. (14 cm); Cal. .34 in. (8 mm); extra cylinder (b); L. 1 1/4 in. (3.2 cm); Diam. 1 1/4 in. (3.2 cm); Wt. 4.2 oz. (119.1 g); combination patch, powder and ball cylinder (c); L. 5 3/8 in. (13.6 cm); Diam. 1 5/16 in. (3.3 cm); Wt. 12.2 oz. (345.9 g); bullet mould (d); L. 3 11/16 in. (9.4 cm); W. 1 1/4 in. (3.2 cm); Wt. 2.2 oz. (62.4 g); combination screwdriver and pricker (e); L. 4 11/16 in. (11.9 cm); Wt. 1.7 oz. (48.2 g); percussion cap box (f); L. 3 5/16 in. (8.4 cm); Diam. 1 13/16 in. (4.6 cm); Wt. 3.1 oz. (87.9 g); cleaning rod (g); L. 6 7/8 in. (17.5 cm); Wt. 1.1 oz. (31.2 g); case (h); H. 2 1/8 in. (5.4 cm); W. 10 3/8 in. (26.3 cm); D. 7 in. (17.8 cm); Wt. 2 lb. 3.3 oz. (1000.7 g)
Curator: Isn’t that beautiful? This Colt Paterson Percussion Revolver, No. 3, Belt Model, was created between 1813 and 1863 by Samuel Colt. I find it quite striking. Editor: Well, first glance, it seems so… contained. Everything neatly in its place, like a morbid sort of still life in polished wood and cool metal. The velvet lining is just perfect. It’s a case of industrial design meeting luxurious presentation. Curator: Exactly! There’s an inherent beauty to the craftsmanship and the functionality here. To me, it speaks of innovation, ingenuity... and a certain somber poetry. It’s more than just a weapon; it’s a piece of Americana, isn’t it? Editor: Yes, and let’s think about the means. The revolver isn't just metal. It's about the factories, the labor that mass-produced such items, and their broader socio-political impact that rippled throughout the 19th century. Its a potent symbol, no doubt. Curator: I’m glad you mentioned that. Each of these objects - from the gun itself, to the little bullets lined up - they tell a story, don't they? A story of both precision and intent, order and, well, disorder. Does that makes sense? It feels heavy, charged. Editor: Totally. The choice of materials certainly carries meaning. The coldness of the steel in juxtaposition with the warmth of the wooden case. Are we meant to feel a sense of tension? Like a balance between function and a luxurious consumer product? Curator: Absolutely, and even visually. The play of light on the polished surfaces...it invites closer inspection, contemplation even. Its allure almost masks its destructive potential. Editor: Exactly. The polished presentation and perfect wood could be hiding the brutality. Looking at the tools, the careful arrangement – it suggests a reverence, a ritual almost to the business of firearms. Curator: Precisely. I can feel a palpable narrative of power. You could see it that way? I hadn't put it into those exact words. Editor: Yeah, ultimately, though, these are still just materials fashioned with clear social intent, bought and sold in the marketplaces of war and control. Fascinating. Curator: Indeed. It is an intricate dance of art, industry, and... well, American ambition and all the contradictions that came with it. Editor: An indeed potent artifact. Definitely one worth unpacking more slowly.
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