Cased Colt Model 1860 Army Percussion Revolver, Serial no. 7569, with Accessories by Samuel Colt

Cased Colt Model 1860 Army Percussion Revolver, Serial no. 7569, with Accessories 1861

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mixed-media, print, metal, bronze, photography, wood

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precisionism

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mixed-media

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print

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metal

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bronze

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photography

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united-states

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wood

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history-painting

Dimensions L. 14 1/2 in. (36.83 cm); L. of barrel 8 in. (20.32 cm); Cal. .44 in. (11 mm)

Curator: Here we see a cased Colt Model 1860 Army Percussion Revolver, serial number 7569, along with its accessories, crafted around 1861. Editor: My first thought is “exquisite violence.” It's presented so deliberately, almost reverentially, nestled in that velvet-lined case. It reminds me of a jeweler’s display more than a weapon. Curator: Exactly. The object speaks to a transformation of power into artifact. Consider the engraved detailing, the almost baroque flourishes upon the gun's frame. These aren't merely tools; they're totems, symbolic of dominance, and also a burgeoning American identity on the brink of civil war. The "Army" in its name telegraphs purpose and destiny. Editor: I’m drawn to the materials: the polished wood of the case itself, that deep crimson velvet, the contrasting dark metal of the gun, and then those shiny little lead balls and metallic caps. This firearm has undergone incredible labor, and yet we know its destiny involves future labor that could bring only suffering and death. Is that beautiful box an attempt to mask its final aim? Curator: It speaks of control. Notice how each element—the cleaning tools, the percussion caps, even the bullets—has its specific place. This arrangement suggests order, precision, the meticulousness required to wield such power effectively, or the idea of it. The case essentially organizes and narrates its utility, imbuing a historical perspective for posterity. Editor: It makes me wonder about the artisan who created this object of both utility and aesthetic wonder. Did the woodworker, the engraver, perhaps the velvet maker understand or consider how their expertise would converge, to literally serve a purpose of destruction? There is that intersection again, high art meets lethal labor. Curator: That's the uncomfortable duality, isn’t it? The object’s cultural weight is enormous, and not easily dismissed, but there's an inherent tension: the allure of craftsmanship against its intended function. Its design ensures it's desirable. Editor: Well said. What appears a display of skillful making really embodies layers of complicated questions around commodity, skill, class, labor, and the mythology surrounding violence. Curator: The reverberations through culture, through the weight of memory...it echoes even today. Editor: Leaving us, perhaps appropriately, with much to consider and reconsider.

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