Dorothy Dene in Colors of Columbia Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco by W. Duke, Sons & Co.

Dorothy Dene in Colors of Columbia Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1890

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lithograph, print, paper

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portrait

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lithograph

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print

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paper

Dimensions: Sheet: 4 in. × 2 1/2 in. (10.1 × 6.3 cm)

Copyright: Public Domain

Editor: This is "Dorothy Dene in Colors of Columbia Yacht Club," a mixed-media lithograph from 1890, created by W. Duke, Sons & Co. The central portrait almost seems lifted from an Impressionist painting, yet the composition has this striking flatness. What stories do you see woven into this image? Curator: The flatness itself speaks volumes. Consider the influence of Japonisme, a Western fascination with Japanese art, specifically Ukiyo-e prints that often eschewed traditional Western perspective. Notice the carefully arranged nautical symbols - crossed oars, the yacht club pennant, and the mooring post, framing the idealized portrait of Dorothy Dene. Editor: The combination is intriguing! What's the significance of framing her this way? Curator: The symbolic elements aren't merely decorative. The star on her chest and the flag suggests she embodies an idealized version of the Columbia Yacht Club’s values or spirit – courage, patriotism, and perhaps even aspiration. Dorothy Dene herself was a notable beauty, sometimes identified as a model for Frederic Leighton. Placing her in this nautical context elevates the club’s image while simultaneously "branding" her with its identity. Does it remind you of other uses of classical images and ideals? Editor: I see what you mean - it's less a portrait of an individual, more a vessel of an idea. The colors are definitely evocative. Curator: Color associations were incredibly deliberate. Note how the blues of the club flag are subtly echoed in the background and in the star. There’s a sense of calm but also a connection to wider, patriotic symbolism. How might these deliberate choices play on the audience's emotions? Editor: This makes me consider the image less as a simple advertisement, and more as a complex weaving of cultural and aspirational symbols from its time. It's all a lot more than first meets the eye. Curator: Exactly! What was originally meant as ephemeral marketing provides cultural and societal insights when closely viewed and carefully analyzed.

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