painting, oil-paint
portrait
baroque
portrait
painting
oil-paint
intimism
group-portraits
genre-painting
realism
Copyright: Rijks Museum: Open Domain
Michiel van Musscher painted this double portrait of Isaac Pontanus and Hendrik van Beek in the Dutch Republic, a society undergoing significant transformation. As the Republic prospered economically, the roles of men within the family and society were being renegotiated, and it is within this context that we can see Musscher’s painting of the sitters and their relationship. The painting represents an older man, perhaps a father or tutor, with a younger boy. It portrays a vision of patriarchy, yet the intimacy and softness in the gaze between the figures suggests a bond that transcends mere authority. The child, who is holding a teacup, is presented with a delicate lace collar and long, curled hair which further complicates the understanding of gender roles within the domestic space. What does it mean to be a man in this time? Is it to exude power and dominion, or is it to nurture, protect, and provide emotional support? This portrait seems to suggest that it’s both, reflecting the shifting ideals of masculinity and the growing emphasis on familial relationships.
Comments
In the past, important events were graced with a medal, especially in well-to-do families. The occasion for this was usually a birth, wedding, or death. These medals not only remained in the family as a memento, but were also given to the guests at the baptism, wedding party, or funeral. Sometimes they were purely private in character, such as the gold medal a grandfather gave to his grandson.
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