Wire and Demolition by  Prunella Clough

Wire and Demolition 1982

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Dimensions: support: 1520 x 1670 mm frame: 1548 x 1702 x 38 mm

Copyright: © The estate of Prunella Clough | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Prunella Clough's "Wire and Demolition", and it's interesting to see these industrial materials contrasted with the texture of the paint. What stands out to you about the way Clough uses materials here? Curator: Well, observe the title. "Wire and Demolition." Clough is drawing our attention to the means of production and the residue of industrial processes. The wire, the very stuff of construction, is presented amidst apparent decay. It's less about pure aesthetics and more about the social and economic realities embedded in these materials. Editor: So, it's not just about how it looks, but what those materials represent in a broader context? Curator: Precisely! Clough challenges the traditional separation between art and the everyday by elevating these overlooked materials. This piece prompts us to reflect on the labor and the systems of consumption that shape our environment. Editor: I see how she’s using materiality to make a statement. Thanks! Curator: My pleasure. It’s rewarding to uncover the stories woven into the very fabric of the artwork.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/clough-wire-and-demolition-t03451

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tate 2 days ago

Clough’s paintings of urban and industrial scenes were often inspired by objects the artist noticed during walks around sites of interest. Here Clough references a piece of old wire discovered on a building site. Before studying art, Clough made maps for the US Office of War Information. The influence of this experience can be seen in her depiction of boundaries and fences in her paintings. Gallery label, May 2019