Twee oude stadspoorten in Rotterdam 1818 - 1876

Carel Christiaan Antony Last made this print called 'Twee oude stadspoorten in Rotterdam' using etching. The print depicts Rotterdam's old city gates around 1563, offering us a glimpse into the city’s historical landscape. During this era, the Netherlands was undergoing significant political and cultural shifts, including the rise of urban centers and burgeoning trade. Last, working in the 19th century, reflects a growing interest in preserving the memory of Dutch heritage. The gates shown in the image, are not just architectural structures. They represent thresholds and boundaries, both physical and symbolic. These gates regulated commerce and also dictated who and what could enter the city. The detailed rendering gives a romanticized vision, but it also subtly hints at the divisions and controls inherent in urban life. How might these images speak to contemporary concerns about urbanization, access, and the narratives we choose to preserve from our past?