Gray starling in storm 1900 - 1910

Curator: Here we have Ohara Koson's woodblock print, "Gray Starling in Storm," created sometime between 1900 and 1910. It’s a compelling example of the Shin-Hanga movement. Editor: My first impression is the monochrome color scheme really conveys a mood of foreboding and unsettled energy. The rain is almost oppressive, despite the delicate lines used to depict it. Curator: Indeed. The scene, while appearing simple, is deeply entrenched in cultural contexts related to nature and resilience. The bird, specifically, can be interpreted as a symbol of endurance amidst adversity. It speaks to survival, adapting within a system that can be unforgiving, reflecting a long history of humans surviving in challenging conditions. Editor: Looking at the composition, the placement of the starling—almost off-center—enhances the feeling of vulnerability, of being exposed. Also the artist captured dynamic motion with very subtle tonal gradations and with this incredible details. The artist is using vertical lines to represent the rain to create the perfect unity and simplicity between nature and motion. Curator: Considering that ukiyo-e, particularly Shin-Hanga, moved from strictly commercial enterprises to incorporating individual expression, this piece stands out as Koson using a popular style to portray resilience during societal shifts in Meiji era Japan. The storm, of course, serves as a larger metaphor here. Editor: The details of the bird's wings, against the minimal strokes detailing the branch and storm are perfect. It almost looks photographic. How does Koson creates such an intimate portrait using such flat space? Curator: By exploring these themes, Koson encourages us to reconsider our roles within natural and social environments—asking vital questions about adaptability and collective strength. Editor: I find that exploration particularly evident when noting how a limited palette can evoke such dramatic depth.