Pair of Ducks Swimming 19th century

Ryūryūkyo Shinsai created this woodblock print titled ‘Pair of Ducks Swimming’ sometime in the early nineteenth century. This work exemplifies the artistic culture of the Edo period in Japan, a time when art served both aesthetic and social functions. The image uses visual codes that would have been easily read by its contemporary audience: ducks are symbols of marital harmony and fidelity, while the plum blossoms refer to the coming of spring and the renewal of life. The print invites reflection on the natural world. But it also served a social purpose. This was an era when printmaking was closely tied to the publishing industry and the rise of a literate middle class. The image, therefore, participates in a broader cultural conversation, reinforcing social values and ideals. To fully understand this print we might look at books, poetry, and theatre from the Edo period. We would also consider the social, economic, and institutional forces that shaped the production and consumption of art in Japan at this time. Ultimately, art is a reflection of its social context, shaped by the forces of its time and place.