Put met een bekken in de vorm van een driepas en drie katrollen 1560 - 1598

This engraving by Wendel Dietterlin, dating back to the late 16th century, depicts an elaborate fountain, a convergence of artistry and engineering. Note the Venus symbols adorning the structure. The Roman goddess of love and beauty can be found across diverse epochs and artistic traditions, from ancient sculptures to Renaissance paintings. Here, they indicate the life-giving nature of water. The symbolism transcends mere physical representation; it touches upon the human psyche, evoking deep-seated emotions related to beauty, fertility, and the cyclical nature of life. The pulleys and chains integrated into the fountain's design suggest both technological prowess and the manipulation of natural elements. These motifs resonate with the alchemical pursuit of transforming base metals into gold, reflecting humanity's enduring quest to understand and control the world. The fountain is not merely a functional object but an allegorical expression, inviting us to delve into the intricate interplay between nature, art, and the human spirit.