Portret van kardinaal Mazarin 1659

Pieter de Jode II created this engraving of Cardinal Mazarin, sometime in the 17th century. This portrait offers insight into the intertwined relationship between politics, religion, and art during that period. Mazarin was not only a cardinal, but also a prominent statesman in France. The visual codes in the engraving, such as the laurel wreath and the cardinal's attire, serve to communicate his power and prestige. The inclusion of his coat of arms further emphasizes his noble status and lineage. Engravings like this one were often commissioned by or for the subject themselves, serving as a form of propaganda. They were circulated among the elite, reinforcing social hierarchies and political alliances. The fact that this engraving is now housed in the Rijksmuseum reminds us of the institutional forces that shape our understanding of art and history. By consulting historical documents, letters, and other primary sources, we can gain a deeper understanding of the social and political context in which this image was produced and consumed.