De Janustempel wordt door de paus gesloten, 1709 1709

This print, made by Abraham Allard in 1709, depicts the Pope closing the Temple of Janus. The Temple of Janus, with its doors open in times of war and closed in times of peace, is a potent symbol. Here, the closing of the doors represents the cessation of conflict, a theme that resonates across history. We see echoes of this motif in ancient Roman coins and Renaissance tapestries, each iteration reflecting a yearning for concord. The angel with the olive branch, a symbol of peace, reminds me of similar figures in classical antiquity, like the Roman goddess Pax, or the Greek Eirene, often depicted with similar attributes. It’s as if these images tap into a collective memory, a deep-seated desire for tranquility that transcends time. This yearning surfaces in art across eras, revealing our shared, subconscious longing for harmony amidst chaos. This cyclical progression, this resurfacing of ancient symbols, underscores the enduring power of images to reflect and shape our collective psyche.