Landschap met schaapherder by Jan van Lokhorst

Landschap met schaapherder 1847 - 1874

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print, etching

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print

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etching

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landscape

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genre-painting

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realism

Dimensions: height 120 mm, width 177 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this etching, "Landschap met schaapherder" – "Landscape with Shepherd" – by Jan van Lokhorst, dated between 1847 and 1874… It has a kind of quiet, unassuming quality to it, a simple pastoral scene. What’s your read on a work like this, thinking about its historical context? Curator: That "quiet quality" you point out is very interesting. Think about the mid-19th century, a period of rapid industrialization. Images of rural life gained a powerful nostalgic value, didn’t they? What socio-political ideas might be tied to this seemingly simple portrayal of a shepherd? Editor: Hmm, perhaps it’s a romanticized vision of simpler times, a commentary, maybe even a subtle critique, on urban life and industrial progress? Curator: Exactly. Realism, as a movement, engaged with contemporary life, but it wasn't devoid of ideological intent. This print depicts an agrarian subject but circulated as a commodity itself. Does that tension between subject and distribution spark any ideas? Editor: That's fascinating – a landscape representing traditional ways, being sold in a rapidly changing market! It seems almost paradoxical. Curator: And Lokhorst was part of a larger art world, supported by patrons, exhibitions, and critics. Thinking about the artistic institutions of the time, where do you think this work might have fit in? Editor: Probably not the radical avant-garde, right? More likely appealing to a middle-class audience with a taste for comforting, familiar imagery, something easily digestible. Curator: Precisely. Understanding that network helps us grasp the artwork's intended role. It highlights how artistic visions can become entangled with the very social transformations they subtly comment on. Editor: I never would have thought of that before, focusing so much on what it represents rather than where and how it was shown! That’s really helpful. Curator: Indeed, seeing art as part of a complex web of social forces illuminates not just the artist’s intention, but the painting’s role within a broader cultural narrative.

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