Mannelijke militair en vrouw gearmd voor tafel met drinkglazen en bloemen by Théophile Alexandre Steinlen

Mannelijke militair en vrouw gearmd voor tafel met drinkglazen en bloemen Possibly 1897

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Dimensions: height 392 mm, width 282 mm

Copyright: Rijks Museum: Open Domain

Curator: What strikes you first about this artwork? It’s a lithograph with ink on paper, likely from 1897, by Théoile Alexandre Steinlen. It's called "Mannelijke militair en vrouw gearmd voor tafel met drinkglazen en bloemen" or, translated roughly, "Male soldier and woman arm in arm before a table with drinking glasses and flowers." Quite a mouthful! Editor: That is a mouthful! Visually, I'm getting a strong sense of... well, caricature. A bit like a risqué magazine illustration with some heavy, possibly satirical strokes, am I wrong? Curator: Not at all! Steinlen was known for his illustrations in Parisian magazines such as Gil Blas, which you can see printed across the top here. They often critiqued society. Editor: Ah, so it's not just the stylistic choices contributing to that feel. Look at those exaggerated features, almost clown-like but with this unsettling military undertone. What’s the story? Curator: This image likely satirizes the relationship between the military and society. You’ve got the two officers flanking the central figure. The way they interact with her suggests an uncomfortable power dynamic. Notice the newspaper heading—"Aux Grandes Manoeuvres". This refers to large-scale military exercises. Steinlen is subtly drawing parallels between those exercises and perhaps social maneuvering or exploitation. Editor: So, this lavish woman being courted…or perhaps strategically positioned... amidst these military "manoeuvres". The flowers are a sweet gesture... but a slightly tragic beauty given what may be underlying the interaction? Is that what he’s playing at here? And what about the figure in the background? Barely peeking out from behind a solid wall? Is that symbolic? Curator: I agree entirely. You might view her presence as a ghostly conscience, a muted observer trapped on the margins. The visual language speaks volumes about power, gender, and social critique through easily recognizable stereotypes. Editor: It’s impressive how a seemingly light-hearted image packs such a punch. Makes you wonder what other stories are buried just beneath the surface. A reminder that images always speak louder, don't they? Curator: Indeed. They hold cultural memories and continue to influence us subconsciously, whether we are consciously aware of the underlying cultural messaging and continuity or not. Thanks for joining me today.

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