Mariez-vous donc ... en chine by Honoré Daumier

Mariez-vous donc ... en chine c. 19th century

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lithograph, print

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lithograph

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print

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caricature

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pencil sketch

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old engraving style

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19th century

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genre-painting

Curator: This lithograph, titled "Mariez-vous donc ... en chine," translating to "So get married...in China," was created by Honoré Daumier around the 19th century. The medium gives it a sharp, linear quality, doesn’t it? Editor: It’s wonderfully wicked. You instantly feel the marital disharmony crackling off the page like static. It is clearly poking fun at societal expectations around marriage and maybe exoticism? Curator: Precisely. Note Daumier’s masterful use of contrast. The woman, adorned in a seemingly opulent gown, occupies the foreground. Her detailed dress contrasts sharply with the more sketch-like rendering of her spouse. Editor: He’s basically in the shadows! Poor sap, stuck in the corner with that pointy hat—looking like he’s regretting everything. The composition is quite deliberate. You've got the woman fussing with her jewelry while he shrinks into the background like wallpaper. Curator: His rigid posture and the inward turn of his arms create a closed form, emphasizing his passivity, particularly when juxtaposed with the more open, flowing lines of the woman’s figure and gown. Editor: And isn't that baby-like figure perched on the table slightly unnerving? What is it supposed to symbolize? Maybe a commentary on the endless needs of family and social performance, which he finds hard to meet? Curator: Intriguing idea. The child-like figure’s grotesque, exaggerated features contrast greatly with the classical style table, perhaps underlining a sense of decay in the couple’s relationship and their excessive, self-centered lifestyle. Editor: I keep coming back to her gaze too, averted, downward, as if assessing some new trifle. There’s this great theatrical quality, a little stage play of unhappiness that draws you in, makes you complicit. Curator: Agreed. By positioning the figures within this detailed, almost claustrophobic interior, Daumier constructs a critical tableau. Editor: Well, I am feeling both enlightened and slightly terrified of relationships! What about you? Curator: A worthwhile takeaway. This piece leaves one contemplating not just marital roles but also the burdens of social performance.

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