James I, 1566-1625, King of England 1603 [obverse] c. 1625

Curator: I am drawn to the delicate lines; the precision is quite something! The starkness and geometry really capture one’s eye, wouldn't you agree? Editor: Indeed. We're looking at an engraved medal depicting James I, King of England. Created around 1625, most likely, this small piece is attributed to Simon van de Passe. Consider its function as both portrait and commemorative object. Curator: The metal work feels like it should be cold. The way light reflects off of its surfaces—highlights almost—bring to mind classical statues. I find it curious. Editor: Note the inscription encircling the portrait. Its message and intent played an important role in conveying James’ legitimacy and the ambitions of his reign. What is particularly fascinating here is the way the monarch uses imagery and mottos to shore up political strength during periods of crisis. Curator: It's all very meticulously planned. It appears he wants to convey not only stability but also…divinity. It is a compelling statement—perhaps meant as propaganda—captured in a tiny, portable piece. Editor: Well observed. Circulating these images, both locally and internationally, certainly would solidify his image, especially for the elite and powerful. Medals such as these played no small part in forming and sustaining royal authority. This Baroque-style medal also tells us how a monarch might want to be seen at that specific moment in time. Curator: Absolutely. There is an imposing quality—while I agree that it may be strategic, it nevertheless commands a sort of respect. Editor: This piece offers such a strong representation of art and politics. When looking at this piece one cannot ignore the influence such miniature artworks might have had. Curator: From a purely formal perspective, the details and stark geometry work beautifully together. It feels like a visual representation of power itself. Editor: Yes, its composition reinforces notions of regal control that reverberate throughout society, history, and its institutions.