Rene d'Anjou, 1409-1480, King of Naples 1435-1442, and Jeanne de Laval, died 1498 [obverse] 1463

Editor: So, this intriguing piece is a metal medal, a portrait really, created in 1463 by Francesco Laurana. It features Rene d'Anjou and Jeanne de Laval. I’m struck by the formality of it, the almost severe profiles, yet the texture of the metal gives it a softer feel. What’s your take on this, what catches your eye? Curator: You know, I love how these Renaissance medals function as miniature monuments, don't you? They capture not just likeness, but also aspiration, and maybe even a bit of good old-fashioned propaganda. The crispness of those profiles speaks to Renaissance ideals of order and clarity. But have you ever considered the intimate nature of it? I mean, imagine holding that in your hand, a little tangible piece of royalty! Does it give you the feels? Editor: It does! It makes them seem more human, I suppose. The inscription too, surrounding the image…does that tell us more? Curator: Absolutely! The inscription acts as a sort of verbal frame, amplifying their image. Though in times like these, surrounded by digital noise, it whispers to us about a slower age, a more deliberate mode of memorializing. Do you suppose such a form could carry such gravity today? Editor: Hmmm, I’m not sure. Perhaps the internet killed the miniature monument! Though seeing it, considering the craft, certainly makes me think about the staying power of art. Curator: Right? It is like a secret message across time. These two gazes frozen together...a perfect little circle!