Romanisches Kirchenportal in Italien by Friedrich Maximilian Hessemer

Romanisches Kirchenportal in Italien Possibly 1827 - 1830

0:00
0:00

drawing, pencil, architecture

# 

drawing

# 

landscape

# 

romanesque

# 

pencil

# 

line

# 

italy

# 

architecture

Curator: What strikes me immediately is the ephemeral quality. It’s so faint, almost a ghost of architecture. Editor: Indeed. We're looking at "Romanisches Kirchenportal in Italien," a pencil drawing possibly created between 1827 and 1830 by Friedrich Maximilian Hessemer. The work resides here at the Städel Museum. Curator: Hessemer really captures the essence of Romanesque design, that weightiness and grandeur… but filtered through a very delicate hand. It’s like he’s sketching a memory. The stark lines give it that weight; it is as though he's captured an exact moment in time. Editor: I agree. Consider how Hessemer meticulously renders each band of the archivolt—the decorative molding around the arch—using a restrained linearity. Note the semiotic structure within, which emphasizes horizontal stability to complement the visual harmony that suggests ideological foundations in strength and divine right. Curator: You’re so right. And look at the almost imperceptible figures above the doorway; are those saints or perhaps benefactors of the church? Their quiet watchfulness adds to that solemn feel. Almost stoic, wouldn’t you agree? I'm especially drawn to the interplay of light and shadow he suggests through the varying line weights. It hints at a vast, cool interior. Editor: The material’s very breath creates something so intimate that, structurally, these careful gradations articulate space, thereby rendering three dimensions within the context of two, thereby creating, materially, what this represents: light. He understands the architecture beyond the obvious design elements. This drawing moves from record-keeping to a piece that attempts to understand not just construction, but perception as a moment itself, if you can perceive that! Curator: It's amazing how a simple pencil drawing can evoke such monumentality. Hessemer has really reduced the architecture to its basic geometric forms. To appreciate its composition, the careful attention and labor, truly… the artist sought something unique and interesting in the structure and brought it to paper with skill. I could look at this all day. Editor: A perfect synthesis of form and feeling. Now, you understand and grasp his brilliance! A truly insightful piece.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.