Three Interlocking Spirals with Differing Rates of Acceleration by  Barry Martin

Three Interlocking Spirals with Differing Rates of Acceleration 1961

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Dimensions: image: 279 x 251 mm

Copyright: © Barry Martin | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is "Three Interlocking Spirals with Differing Rates of Acceleration" by Barry Martin, currently in the Tate Collections. It's visually striking; the blue hues create a sense of depth, yet the composition feels quite geometric. What sort of symbolism do you see at play here? Curator: The spiral, of course, is a potent symbol. Across cultures, it represents growth, expansion, and the cyclical nature of time. Here, with the "differing rates," it suggests a dynamic, perhaps chaotic, system. Do you feel a sense of unease or harmony? Editor: I see both, actually. There's a tension between order and disorder. Curator: Precisely. Martin seems to be exploring the inherent contradictions in systems, the ways patterns emerge and dissolve. Think of ancient labyrinths, or even the structure of galaxies. These interlocking spirals, aren't they evocative of something eternal? Editor: I hadn't considered those connections. It's interesting how a simple shape can hold such complex ideas.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/martin-three-interlocking-spirals-with-differing-rates-of-acceleration-p20230

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tate's Profile Picture
tate 2 days ago

Barry Martin is one of a generation of British artists who began making kinetic sculptures in the mid-1960s. This unique linoprint pre-dates his machine works, but demonstrates his early interest in depicting movement. The print, which uses a limited palette of black, white and blue, features blocks of cross-hatched colour, structured in a series of overlapping spirals which suggest rotary movement. Circular forms interlock like cogs with a series of smaller serpentine shapes echoing the overall composition. Broad horizontal and vertical hatching in the picture’s background reinforces the industrial feel of the image, as well as alluding to other shorthand visual expressions of movement: go-faster stripes and the staccato dashes that denote speed in comic strips and cartoons. The cool blue highlighted with white anticipates the metallic surface Martin was later to use in his constructions.