photography, gelatin-silver-print
portrait
print photography
archive photography
photography
historical photography
gelatin-silver-print
Dimensions height 100 mm, width 150 mm
This photograph comes from the Estate of Isabel Wachenheimer. Who knows when it was taken or by whom, but here she is, a woman in repose. I love how the blank page in front of her mirrors back her own openness. She’s propped up in bed, cozy, while the pen in her hand is poised, ready to receive a thought. The photograph seems to ask, what do you want to say? It makes me think about my own practice, how painting is like writing—a process of working through. This feels like a gentle invitation, a quiet moment before the work begins. Just lying there, waiting for something to come. And that act of waiting is part of it, isn't it? That’s where the magic happens.
Comments
Isabel Wachenheimer still signed with her concentration camp number, ‘K.Z. häftling No 918’ three months after she was liberated. Just see the inscription on the back of a portrait photograph of her taken on 25 September 1945. Isabel was a broken person after the war. She slowly recuperated from a fractured vertebra in Davos (Switzerland). In November 1946 Isabel married Leo Blumensohn, a fellow victim she met in the Westerbork transit camp.
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