Dimensions: height 60 mm, width 90 mm
Copyright: Rijks Museum: Open Domain
This small, anonymous photograph from the Estate of Isabel Wachenheimer is like a faded memory, isn't it? Its monochrome palette gives it a timeless quality, like a half-remembered dream. The surface is smooth, with that slightly glossy sheen of old photographs, it's thin and unassuming, but hold it in your hand and you’re holding a whole world of untold stories! Notice the subtle gradations of grey, the way light falls across the girl’s face. There’s a beautiful softness to it. It's like the photographer captured a fleeting moment of vulnerability and innocence. It reminds me a bit of the portraits by Alice Neel, in the way it captures the essence of a person, rather than just their likeness. Both artists seem to be searching for something deeper, something beyond the surface. Art is all about these kinds of conversations across time, isn't it? It’s never really about fixed meanings but more about openness and interpretation.
In 1928 a daughter, Isabel, was born to Eugen and Else Wachenheimer. In 1934 they posed before the family home in Stuttgart on Isabel’s first day of school. The photograph at the lower right was taken almost ten years later (1943) in the Westerbork transit camp. Isabel had been rounded up in Amsterdam five months earlier. The family was first sent to Theresienstadt and then on to Auschwitz-Birkenau, where Eugen and Else were gassed. Isabel was condemned to forced labour.
Join millions of artists and users on Artera today and experience the ultimate creative platform.