Lesbia with her Sparrow 1916

Editor: This is John William Godward's "Lesbia with her Sparrow," painted in 1916. The depiction of classical antiquity feels almost photographic. There is an intriguing cage, though; could we discuss this further? What stands out to you? Curator: Indeed. Godward was fascinated by classical antiquity, particularly Roman society. But I always wonder about the appeal of such imagery as a backdrop to immense social change at the time it was painted. What purpose does it serve? What kind of viewer is consuming it? Editor: You’re suggesting it might be escapist? Curator: Certainly. But more than that, think about the cultural power being wielded. The art market, galleries, and wealthy collectors all participated in reinforcing specific notions of beauty and femininity tied to an idealized, and largely imaginary, past. It raises the question, doesn't it, of who gets to define "classic" and what purposes does that definition serve? Is there an active disengagement? A political position? What do we do with the figure on the wall above and behind? Editor: It’s a perspective I had not considered. I suppose I saw it more innocently – a window into another world. Curator: And that’s valid, but part of our role as viewers today is to understand how these images functioned then and function now. Does the work still hold that same original message? What are we meant to take away in our world? Editor: Thank you; your perspective makes me reconsider everything, and now, I am left thinking if the work holds its original intent.