The Eagle and the Woman at Night 1938

Joan Miró made this print, titled The Eagle and the Woman at Night, using etching, and aquatint, processes where the plate gets eaten away with acid, resulting in a kind of tonal drawing. I love how Miró just lets it rip, and it becomes a nightscape filled with dreamlike figures emerging from a scratched and textured surface. Look at the way the aquatint creates these mottled tones, kind of like a cloudy night sky. The lines are so direct, so sure of themselves, yet they dance around, never quite settling into a single form. See the woman's body, long and flowing, with the eagle hovering above. Is it an eagle, or a strange plant? That’s the beauty of Miro’s work: it’s always in-between. It reminds me a little of Gorky, but more playful, less tormented. You can see how these artists are constantly riffing off each other, in this ongoing game of telephone, like a visual conversation across time.