Den hellige Martha og Maria Magdalene på vej til templet 1550 - 1572

This is a print by Georg Matheus, made around the 16th century. Here, the composition unfolds through a series of stark contrasts and structured forms. Notice how the architectural elements—the temple, the steps, the columns—create a rigid framework, juxtaposed against the flowing robes and gestures of the figures. Matheus uses line work to delineate space, but also to imply texture and emotional depth, particularly in the faces of the crowd. The directional lines of Martha's commanding gesture leads us to the temple and the raised hand of the figure on the right, creating a visual dialogue across the scene. This print speaks to the period's interest in classical forms filtered through a religious lens. The structure is not just a backdrop but an active participant in conveying themes of authority and divine purpose. The artwork invites us to consider how lines, forms, and contrasts articulate the complex interplay between faith, power, and human experience.