Faith 1765 - 1785

Editor: This is a ceramic sculpture titled "Faith," created around 1765-1785 by Ralph Wood the Elder. It’s currently housed in the Metropolitan Museum of Art. I’m struck by its delicate colouring and almost quaint feel. What catches your eye when you look at it? Curator: My immediate focus is drawn to the composition. Observe how the figure's flowing drapery creates a sense of movement, contrasting with the rigidity of the cross. The colour palette, muted greens and browns, lends a classical sensibility to the form. Notice also how the surface texture reflects the light. Do you agree with this reading? Editor: I do see the movement now that you point it out, especially in the way the robes fall. I hadn’t really considered the texture. Is there a particular symbolic reason for the cross being so unadorned? Curator: Symbolism indeed plays a role, but from a formalist viewpoint, the unadorned cross is key to balancing the other textural elements such as her hair and base details, creating a visually compelling tension. Consider also, the lines – the verticality of the cross against the curve of her arm holding the book creates contrast and dynamism. Editor: That’s fascinating. I was so caught up in the subject matter that I hadn’t fully appreciated the visual interplay of forms and textures. Curator: Precisely. Analyzing the interplay of line, form, and colour offers invaluable insights. I appreciate the exercise of isolating the artwork in itself in that way. Editor: This perspective on analyzing art shifts my thinking. Thank you for sharing your expertise.