Figuren op een olifant onder een poort in Madurai by Wijnand Otto Jan Nieuwenkamp

Figuren op een olifant onder een poort in Madurai 1917

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drawing, print, etching

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drawing

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narrative-art

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print

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etching

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asian-art

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landscape

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etching

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figuration

Dimensions height 303 mm, width 222 mm

Curator: This is Wijnand Otto Jan Nieuwenkamp’s 1917 etching, "Figuren op een olifant onder een poort in Madurai"—"Figures on an elephant under a gate in Madurai." Editor: My immediate reaction is this conveys such a subdued solemnity, it has a sepia tone and seems to almost glow with an ethereal light, doesn't it? There's such incredible detail rendered with what looks like a fairly light hand. Curator: Indeed, the restrained palette contributes to that effect. But consider also the symbol of the elephant itself. In Hinduism, the elephant-headed god Ganesha represents wisdom, new beginnings, and the removal of obstacles. An elephant emerging through a gate isn't simply a procession; it can signal auspicious entry into a new phase. Editor: I am wondering though, who is afforded those new beginnings? This image presents the colonial gaze; the Dutch artist Nieuwenkamp documenting a scene, placing himself as observer and recorder. It implicitly centers that perspective. Curator: That's a valid point. However, the elephant as a symbol retains its inherent cultural significance. Its inclusion here, within the artist's rendering, still communicates powerful cultural messaging. And it serves as a memory. Editor: And how might the architecture reflect that significance? The gateway seems more than just a backdrop; it frames and perhaps filters our perception. It could symbolize barriers or, conversely, passages that reveal societal norms. Curator: You are quite correct. These gates are thresholds to spaces that represent both the earthly and divine realms. That the figures underneath are passing through is meant to further evoke a psychological or spiritual transformation, perhaps? Editor: This idea of threshold certainly lends itself to some serious reflection, allowing us to see not only a captured moment, but all that it suggests of historical dynamics and the potential for interpreting those dynamics still today. It challenges us. Curator: For me, the layering of symbolic meanings creates a captivating convergence. Each line serves as a connector—linking the artwork to cultural memory and opening channels for personal contemplation. Editor: I concur. It is one that, once seen, holds layers demanding careful excavation and hopefully revealing deeper critical insights for years to come.

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