Untitled 1971

Soledad Sevilla made this untitled piece, and it seems she was interested in repetition and process, building something up through layers. There's a sense of meticulousness, but also a play with opacity that feels very human. You can see this layering, the way each curve subtly changes the tone below, it's almost like a quiet conversation happening on the surface. It's not just a flat image, but a record of many decisions, built up in a slow and considered way. I’m reminded of Agnes Martin, another artist who used grids and repetition to create a kind of meditative space. However, unlike Martin, Sevilla’s curves feel more organic, less rigid, and more playful. This piece invites us to slow down and consider the beauty of subtle variations. It reminds us that art is an ongoing dialogue, where artists borrow, transform, and respond to each other's ideas across time.