Untitled 2009

Editor: We are looking at "Untitled," a metal sculpture made in 2009 by Joachim Bandau. The black geometric panels really strike me. The texture looks very sleek, almost lacquered. What are your initial impressions of the form and material? Curator: The piece certainly foregrounds its materiality. Consider the highly reflective surface. Bandau seems interested in the interplay of light and shadow across these tiered planes. Note how the modularity – the repetition of similar rectangular forms – establishes a clear visual rhythm. Editor: Yes, it’s quite striking. But it also seems somewhat… reserved, almost cold in its precision. Does the geometry have some intrinsic symbolic significance? Curator: From a formalist perspective, the work refrains from prescribed symbolism. Rather, the effect arises from the relationships between elements: the hard edges, the tonal gradations implied by the layered arrangement, the optical effects engendered by the reflecting surface. Notice how the very precise positioning of the horizontal planes is paramount, yes? Would you agree the artist has attempted to exclude representational narrative from this construction? Editor: Absolutely, it’s the structure itself that generates meaning, not external references. So the artist is experimenting with how simple shapes in dialogue can be endlessly compelling? Curator: Precisely! Furthermore, observe that through the highly polished surface and rigorous geometric shapes, Bandau encourages our appreciation of material qualities and relationships above all else. It invites close and continuous observation. Editor: I see, it really prompts a closer look at the composition and materiality itself. I never thought about it that way before. Curator: I find I am seeing it slightly differently myself, after our discussion.