Vest van linnen aan één zijde afgewerkt met een strook kloskant met boogjes en blaadjes by Koninklijke Kantwerkschool 'Koningin Sophie der Nederlanden'

Vest van linnen aan één zijde afgewerkt met een strook kloskant met boogjes en blaadjes c. 1925 - 1949

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fibre-art, weaving, textile

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fibre-art

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fashion mockup

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weaving

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textile

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hand-embroidered

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fashion based

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clothing photography

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fabric design

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clothing photo

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decorative-art

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fashion sketch

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imprinted textile

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design on paper

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clothing design

Dimensions height 18.5 , length 17 cm, width 3 cm

Curator: Oh, how lovely! We're looking at a linen vest, dating roughly from 1925 to 1949, created by the Koninklijke Kantwerkschool 'Koningin Sophie der Nederlanden.' Notice how only one side is adorned with that delicate bobbin lace. Editor: It strikes me as almost dreamlike in its simplicity, like a whispered memory of elegance. The linen’s subdued texture juxtaposed with the playful curves of the lace...it's an intriguing contrast, isn't it? Curator: Absolutely. That lace, with its arcs and foliate patterns, carries echoes of Flemish lacemaking traditions. The repeated motifs evoke a sense of harmony, almost a silent rhythm. And yet, it only trims one side... Editor: Leaving the other side bare amplifies the significance of the adorned edge. Think of it as a threshold—a passage from the ordinary into something a little more embellished, more special. Is there some implied narrative there? Curator: Possibly. Consider the symbolism embedded within lace itself— traditionally, it represents skill, patience, and femininity. The asymmetrical design maybe reflects the shifting roles and freedoms women experienced during that period. It’s a restrained rebellion against convention. Editor: Yes, almost like a half-formed thought, an idea still coming into being. The leaves and flower designs can carry connotations too. Fertility, growth...perhaps a blossoming of individual identity in a time of social change? The sparseness prevents overt pronouncements. Curator: It makes one wonder about the wearer, the story they inhabited within these quiet textiles. The maker, too! A student, likely, at the Queen Sophie School… What did she pour into each tiny stitch? Editor: More than just technical skill. Dedication, focus… the repetitive motion becoming meditative, maybe even offering a form of silent protest during times of upheaval. Objects often bear unseen stories in plain view. Curator: Well, I find this simple garment is very much an invitation to delve deeper into the subtle complexities woven within its very being. Editor: Agreed, each viewing reveals new nuances that reverberate into its cultural and psychological meaning. A story worth listening to again, and again.

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