Orchids and Rocks 1896 - 1898

Editor: These vertical panels showcase "Orchids and Rocks," attributed to Yi Ha-Å­ng. The ink on paper creates a delicate, almost fragile, composition. How do we interpret this work through its materiality and social context? Curator: Consider the production. Ink wash painting wasn't merely aesthetic; it was deeply tied to social class and scholarly pursuits. Taewŏn’gun, a powerful figure, engaged in this practice. How does his social standing affect our interpretation of these materials and their application? Editor: So, the act of a high-ranking person creating this shifts the context? Curator: Precisely. It elevates the labor. Reflect on the consumption of art, not just its creation, as an indicator of power. What does it mean for a nobleman to engage in a traditionally scholarly activity? Editor: That's fascinating. I'll definitely think about the social implications of artistic creation more deeply now.