Draped Figure, Lower Half; verso: blank page c. 19th century

Editor: Here we have Edward Burne-Jones' sketch, "Draped Figure, Lower Half." The hatching and smudging really give it a sense of depth, like the fabric is heavy. What strikes you about the composition? Curator: The artist's focus on the fall of light and shadow across the drapery is paramount. Note how the diagonal lines create movement, drawing the eye down the form. Do you observe how the density of the graphite varies to suggest volume? Editor: Yes, the darker areas definitely give it shape. I hadn't considered the diagonals before. Curator: Burne-Jones masterfully uses line to convey the tactile quality of the fabric. This close study exemplifies academic figure drawing at its finest. Editor: I see it now. There's a lot more to this sketch than initially meets the eye. Thanks! Curator: Indeed. The careful consideration of form elevates it beyond a mere study.