Head by Bura

Head 10th-16th century

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ceramic, sculpture, terracotta

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african-art

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head

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ceramic

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figuration

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ancient-mediterranean

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sculpture

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terracotta

Dimensions 6-1/4 x 3-1/8 x 2-13/16 in. (15.9 x 7.9 x 7.1 cm)

Curator: I'm instantly drawn to the stillness of this sculpture. It feels like a silent observer, or maybe someone lost in thought, you know? Editor: Indeed. This terracotta "Head" sculpture, originating from the Bura culture, crafted somewhere between the 10th and 16th centuries, compels through its very construction. Observe the smooth surfaces meeting in clean, understated lines, forming idealized facial features. The material itself communicates age, resilience, timelessness. Curator: Absolutely! There's something almost meditative about it, wouldn’t you agree? The shape is so simplified, almost egg-like, which highlights the subtle details, like the gentle curve of the lips and how softly the eyelids close. What can you tell me about this Bura culture? Editor: The Bura people inhabited the region near the Niger River. Archaeological finds reveal their expertise in terracotta sculpture and ironworking. "Head," now housed here at the Minneapolis Institute of Art, presents an exciting array of cultural markers characteristic of ancient artistic practices. Curator: Right! And thinking about its purpose... It makes me wonder about rituals or ceremonies and the human stories wrapped up within. Did the smooth, somewhat idealized facial features carry certain meanings within the Bura culture? Editor: Quite likely. Notice the smooth forehead and well-proportioned facial features which might embody ideals of wisdom and status or some similar meaning depending on the status the individual once had. This may be more symbolic than portraiture. And of course, as a formalist, it's impossible to overlook the balance and proportion. Each element supports a harmonic structure that transcends mere representation. Curator: Ah, balance and proportion – you formalists are hilarious! All said and done though, and jokes aside, gazing into the face of this terracotta head feels profound, connecting me to centuries past. Editor: A perfect demonstration of form meeting cultural expressivity. Whether one prefers intuitive feeling or rigorous decoding, it is such an enlivening artifact.

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